There is that place against his back,
That niche where the rolling curves of my supple hips fit,
Were like puzzle pieces, whimsical, in the way our legs intertwine,
The soles of his feet chilled, pushing up the denim that coats my calves,
Though I am the one that cradles his thin build, the flat definitions of his stomach,
My grip tangling in the fabric of his heavy metal olive green tee,
Letting my slight fingers caress the dip in his ribs, that he splintered,
Long before the bed embraced, like we do.
Its the way he breathes, then I do, in sync, like a rhythm,
The kind he wished he could master on his guitar,
There is a hollow sound of his heart; it rests, like it is sighing, long steady beats,
The second sound is my own empathy releasing music from my confined chest,
Only to pull his shoulders closer to my breast, and chords of my bass chime higher,
Those heartstrings he plays like a violin without speaking, without meaning to,
I watch as he twists the creamy skin of his neck, dusted in idle freckles,
He doesn't know, but I strain every vein that lives in me just touch my lips to that place,
Like I used to.













Comments
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in the midst of a thousand drops of red, a howl was heard from his beaten wrists...
insanity has set in...
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What being jobless means..
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ARE THERE OTHER ORGANS IN THE CAR?
c|T| Tea for two
The words in this poem are all the same in poeticalness, so we're really just talking about structure.
Should you keep your current staggered line poem structure or go with the flush left all lines structure?
Well I think the staggered line structure is more fun to read; although I like flush left and it is easier for printing and typing and posting.
Flushed left gives an ability to shortened the line lengths or make some of uniform length.
So I'd use both old and new. Here is some sampling of how the line lengths could be broken up:
here is that place against his back,
That niche where the rolling curves
of my supple hips fit, were puzzle
pieces, whimsical, the way our legs
intertwine, the soles of his feet
chilled, pushing up the denim that coats
my calves, though I am the one that
cradles his thin build, the flat
definitions of his stomach, my grip
tangling in the fabric of his heavy
metal olive green tee, letting my
slight fingers caress the dip in his
ribs, splintered, long before the bed
embraced, like we do.
here is that place against his back, That niche where the rolling curves
of my supple hips fit, were like puzzle pieces, whimsical, in the way
our legs intertwine, the soles of his feet chilled, pushing up the denim
that coats my calves, though I am the one that cradles his thin build,
the flat definitions of his stomach, my grip tangling in the fabric of his
heavy metal olive green tee, letting my slight fingers caress the dip
in his ribs, that he splintered, long before the bed embraced, like we do.
here is that place against his back, That niche
where the rolling curves
of my supple hips fit, were like puzzle pieces,
whimsical, in the way
our legs intertwine, the soles of his feet chilled,
pushing up the denim
that coats my calves, though I am the one that
cradles his thin build,
the flat definitions of his stomach, my grip
tangling in the fabric of his
heavy metal olive green tee, letting my slight
fingers caress the dip
in his ribs, that he splintered, long before the
bed embraced, like we do
--
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